It’s a tried and tested formula for smash-hit Hollywood
cinema: terrorists plotting mass destruction only to be foiled by a
mixture of fate and law enforcement – with a good love story thrown in
to boot. Now Nollywood, Nigeria’s burgeoning film industry, has got in
on the action, making the country’s Islamic extremist sect the subject
of a new release, Boko Haram – the movie.
The film follows the story of a young man who comes to Lagos with a
secret mission to detonate a bomb that will kill 2,500 people. But in an
unlikely twist he meets a prostitute who prompts a rethink. “It’s a
film about a terrorist who finds love and has to challenge everything he
has been taught,” said Pascal Amanfo, who wrote and directed the film.
“We wanted to delve into the core of this issue, challenging people’s
ideals and beliefs.
The film, released earlier this year in Nigeria and soon to be
released in Ghana, is not without controversy. Amanfo said he had to
change the name from Boko Haram to Nation Under Siege for the film’s
domestic release, due to Nigerians’ heightened sensitivity on the topic.
In Ghana, where the
film is still titled Boko Haram, critics said the
poster – depicting the fair-skinned Ghanaian actor Majid Michel wearing a
turban and holding an AK47 – pandered to stereotypes about terrorism in
the region.
There is rising demand for local movies across west Africa, where the
growing middle classes buy genuine and bootleg DVDs of films such as
War in the Palace, God Love Prostitutes and Fazebook Babes. By some
estimates Nollywood is the second biggest film industry in the world,
releasing as many as 2,000 films a year and continuing to expand. Last
month the first NollywoodWeek Paris festival took place in the French
capital a week after Cannes, to increase Francophone distribution
opportunities.
Industry insiders say there is a growing trend for films that take on
controversial topics in the news rather than traditional subjects like
love, black magic and family feuds.Last year’s Last Flight to Abuja
touched on the subject of air crashes, a delicate subject in Nigeria
where shortly after the film’s release a passenger plane crashed into a
building in Lagos, killing 153 people. The murder of four students at
the University of Port Harcourt last year, killed by a mob after they
were accused of stealing, was quickly turned into another Nollywood
movie.
“It is definitely a case of art imitating life,” said Zara Johns,
“Nollywood evangelist” at Iroko TV, an on-demand film streaming service
for Nollywood movies. “These things tend to resonate with Nigerians
because they are really happening,” she said.
SOURCE
www.informationng.com
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